A version of this article was first published in May 2021.
In the white-walled hallway of the Kerr residence in Perth, Roxanne Kerr has a framed photo of the moment her daughter’s image was projected onto the sliding-shell roof tiles of the Sydney Opera House. In the darkness, the profile of an airborne Sam Kerr sails above the waters of Sydney Harbour, backlit by triangles of yellow and green to celebrate Australia’s successful World Cup 2023 bid.
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“Your daughter’s on the Opera House — how is that?” says Roxanne, dreamily.
The family treasure it all the more because through it, they glimpse Sam as she was when, aged eight, she walked through some hills and decided that if the other kids were rolling down, the least she could manage was a backward tuck. “And she just taught herself,” says Roxanne. “It amazes me that she can still do it at her age. It shocked me. The first time she did it for the Matildas, she didn’t land properly, but now that’s all people want to see.”
Yet her daughter is just like every other, in that she often neglects to keep her parents in the loop. Roxanne is used to seeing Sam stare back from banners in Australian shopping centres. Normal, too, are the texts from family and friends captioned: “Look who I’ve bumped into.” But the small matter of her springing from the side of the continent’s most iconic building slipped Sam’s mind, as did her international debut in Canberra in 2009.
“She loves us to travel and watch her games, but she doesn’t like a lot of fuss,” says Roxanne. “She never tells me anything because she’s too embarrassed, too shy. I have a friend who cuts out every single newspaper article. She must have seen the Opera House on Facebook.”
Roxanne called Sam, who said, simply:
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